Grado GS1000 Review
In & Out
Of The Box
What of the ownership / un-boxing experience?
Initially underwhelming, given Grado's preference for
shipping high end audio jewellery in cardboard pizza
boxes, albeit securely packed. Once you lift the lid,
all disappointment disappears. Resolutely packed in
foam are a 1/4 to 1/8" adapter, a 10' extension cable
(sorry for the imperial measurements but it is an
American company) and the best looking pair of
'phones I have ever seen, or touched!
From the leather headband to the mahogany driver
outer / ear cups, they look and feel the business.
But that is not all. Even before you play the music,
slip them over your ears and they are the absolute
most comfortable cans ever to grace my head. The
AKG701s are OK, my Senn 600s are terrible (IMHO), the
Grado SR-60s are just OK, and with similar comfort to
my Jecklins Floats but more secure. I think it is due
to the circumaural design of the bowl ear pads which
sit over and around your ears, not on top. While
warmish, they are definitely cooler than most others
I have tried for extended listening.
The
Sound
OK, so much for the cosmetic / wardrobe appeal, how
do they sound?
First, I should set the scene with the associated
equipment. My system comprises an Apple 160GB iPod
using Apple LossLess CODEC, Wadia 170 iTransport,
Cambridge DacMagic and Yamamoto HA-02 amplifier hung
together with mid-fi cables and no power treatment.
Most of the comparative references are against my
Senn 600s and Grado SR-60s with this hardware /
software mix.
Either in 2 channel mode or in my headphone system I
run a pretty standard set of tracks which I know
intimately to monitor changes or new pieces of kit.
The GS1000s initially impress with a combination of
detail and smoothness which immediately engages you,
while enabling the listener to hone in on various
instruments or musical passages if that is where your
interests lie. Using these test tracks I can
confidently report that the Grado combo delivers a
realism to the timbre of voices and acoustic
instruments and small ensembles which is most
splendid. I have had the pleasure of hearing Phil
Manning and Paul Kelly play live and their voices and
guitars on 'Two Roads' and 'Foggy Highway'
respectively are rendered with absolute clarity and
accuracy by the Grados with a degree of air and
spaciousness which previously I may have thought
impossible for a headphone to reproduce. Johnny
Winter And 'Live' is a fantastic blues guitar album
from the early 70s and Johnny's lead and Rick
Derringer's rhythm guitar really shine. For a bit
more depth, Yello's 'Rubber Band Man', Harry Connick
Jnr 'Follow the Music' (yes really) and Gordon
Goodwin's Big Phat Band 'Sing Sang Sung' are
believably reproduced with at least a sense of what
would be available with infinite watts, open space
and sub woofers. Old favourites become 'new again'
Patricia Barber 'Ode to Billie Jo' and Sarah
McLachlan 'Angel' just make you want to melt into the
melody & the lyric. The MFSL CD version of
'Gaucho' Steely Dan can be a bit sharp and harsh (a
little too 'crisp') and this impression carries
through on the Grados.
So detailed, engaging and non-fatiguing would be
keywords that I would used in describing their sound.
And the size of the bowl ear pads I suspect
contribute significantly to the huge soundstage that
these headphones manage to throw by positioning the
drivers well out and away from the ear allowing the
sound to 'swirl' or project into a bigger space than
usual.
Any
Negatives?
So, what is not to like? Of course, we all know that
no audio product is perfect. The Yamamoto / Grado
GS1000 combination is not overly extended at the
frequency extremes, so those wishing to summon the
dogs with the high frequencies or have your chest
cave in with the bass might wish to look elsewhere.
Interestingly, the GS1000s have been voiced with the
frequency extremes tipped up slightly to deliver a
more coherent presentation at moderate listening
volumes. Therefore, probably not strikingly accurate,
so perhaps not a perfect monitoring tool. Although
the slightly reduced extension that I hear might be
more due to the performance of the Yamamoto
amplifier.
Grado GS1000 Test Results (Source: Headroom)
I did swap out the
Yamamoto and inserted a Headroom Cosmic solid state
headphone amplifier to discern any changes. In a
brief listening session, I would say there was the
predictable (but modest) increase in speed and punch
in the bass but the highs were not as sweet and
barely if at all 'higher'. Interesting and engaging
in a different way, but overall, I would not say
'better'. Perhaps a matching switching power supply
might drive the 'Class A' electronics module a little
harder than the battery pack. I would however like to
hear the Grados with a top flight solid state amp for
comparison. Also, just for fun, I would like to swap
out the iPod front end and insert the full-blown
Wadia 861SE transport/DAC. That might be a real step
up.
Summary
The GS1000s are sensationally comfortable by usual
headphone standards, are really engaging and draw me
easily into the music. While we all know music is
built on the bass, most of the music actually 'lives'
in the mid range and it is here that the Grados
excel. They do enough with the highs and lows to
satisfy but it is the tunefulness of the mids and the
air around notes / performers that make the result
really sing. The comfort and musical presentation
just make the headphone disappear and let you focus
on the music, not fall into analysing the 'sound'.
The look and feel of the mahogany and leather ooze
quality and inspire a real pride of ownership every
time you pick them up. The real proof and the highest
praise I can bestow is that I have been listening to
more music, through my headphone system and the Grado
GS1000s than any other system combo in recent months.
I am delighted to own them!
If you haven't already guessed, I am a Grado guy and
YMMV but the GS1000 really do make a Grado Statement!
A couple of GS1000 links & reviews, including
Grado, 6Moons.